Jazz Congress Confidential – Part Four
I attended my first Jukebox Jury 13 years ago at the JazzWeek Summit in Syracuse, and it was a trip; seeing radio programmers responding to new releases was edifying, to say the least. When they all got super-excited about the newly-found recording of Monk & Trane, my heart sank; so much for those of us still living, writing NEW songs!? After I expressed my dismay to Mark Winkler, we got a new song out of our angst, They’re Gonna Love Me (when I’m dead).
Fortunately this most recent incarnation of the Jury at the Jazz Congress didn’t include any new releases by dead people, so that was encouraging! The list of 20 new releases was well-received by the panel of radio programmers ( Mark Ruffin, Gary Vercelli, Eric Jackson and Arturo Gómez), and the comments they and moderator Brad Stone made were nuanced and helpful in understanding WHY certain tracks would “make the grade” at their stations. While some recordings were criticized rather harshly, (watch out, vocalists!! especially those of you with “tribute” projects!!), mallets players are in luck, as the vibraphone and marimba appear to have made a comeback, with enthusiastic reception from everyone on the panel. And apparently radio promoters are more essential than ever for getting your music on the air, as music directors are inundated with more and more product than ever before…. especially from those pesky singers!
The Jazz Radio Roundtable session later that afternoon continued to reveal radio programmers’ secrets – I was grateful for JazzWeek’s sponsorship of both of these events and really missed seeing Ed Trefzger, who was unable to attend the Congress. I’m continually struck by how avidly jazz fans pursue the music – one would never guess how marginalized and practically invisible it is to the music biz overall.